Joaquim Gromicho

Show the duality of scenarios that photographic space has gotten so a new vision of what surrounds us, in some way by this timeless dimension in reality does not exist.
In some cases there may be a close familiarity with photography by this display places that are known by the observer, but immediately conjugations, overlaps and interactions of light and color space refer to other key conceptual thus giving a new language will photographic image. In the dialogue between architecture, the natural and the human there is an impression of light, form and scale thus making the perception of work as surreal. This effect transcendent image overlay are no limits to the real, is this duality that holds the aesthetic enjoyment of the work.